Rivers' version of the resulting song, '80s Radio', can be found here. Alternatively, you can hear the versions done by someofhiscollaborators.
Aside: I wonder who owns the copyright to this?
Offside: Can the moustache REALLY be making a come back? I thought the rule was that moustaches can only be worn ironically and even then they must only be grown to raise money for charity and must be cut off immediately after the fundraiser?
A new way to manipulate video as you watch: you can "grab"
on-screen objects and move them backwards and forwards, though actually
you are only moving the video backwards and forwards. A "hint path"
shows how the object can be moved.
The DimP direct manipulation player has been developed by the University of Toronto's Dynamic Graphics Project. There's an explanation in the video below.
Interesting to perhaps think of ways of matching this engine to a touch screen to give rise to some interactive outdoor / in-store activation ideas.
The BBC have created an innovative music chart called the Sound Index based on aggregating usage and purchasing data from popular internet music sites:
"The BBC Sound Index analyses what people are writing about, listening to, watching, downloading and
logging on to. It then counts and analyses this data to make an instant
list of the most popular 1000 artists and tracks on the web.iTunes, MySpace, Bebo, Google Groups, Last.FM and YouTube
The more blog mentions, comments, plays, downloads and profile views an artist or track has, the higher up the Sound Index they are. So, the Sound Index is a music buzz index controlled entirely by the public."
The chart is updated every six hours and broadcast on the BBC every Sunday. Yet more good stuff from Ashley Highfield and team:
"Under Ashley's leadership, the number of UK adults
visiting bbc.co.uk has more than trebled from 4.6 million to 14 million
every month and page impressions have increased tenfold to just over 3
billion a month."
I love this (only partially) tongue in cheek visualisation of the extinction timeline of a number of things we take for granted.
Whether it is innocence (2001), retirement (2017) or ugliness (c.2060) Richard Watson can see it coming to an end some day. In fact he even predicts the end of futurists in c.2050 (at about the same time he thinks that we might finally wave good bye to Cher).
In this wacky little 2 minute film, Samsung attempt to show off the pseudo-holographic properties of their new 'Soul' mobile 'phone.
In simple terms it appears that the phone has an OLED display which changes to show different symbols for each mode (camera, phone, music player etc.).
The film consists of a zany (yes, sadly that is the best word for it) demo of 8 (count them) optical illusions.
This is perhaps the right time to mention that I've always been amazed that one part of Samsung can embrace these so-called 'viral' films (e.g. this and this and this and this and this and this) whilst simultaneously strangling the life out of all of their TV ads with endless approval processes and LINK tests. Do I sound bitter? I think I might be. The Viral Factory looked like they were having a lot more fun than we were.
Lower budgets for production and media = lower risks = fewer people to get between the idea and the consumer.
Stuck for experiential brand activation ideas? You could do worse than browse Interactive Architecture for stimulation.
This fantastic site is run by Ruairi Glynn of UCL's Bartlett School of Architecture and Central Saint Martins and it does a great job of bridging the specialisms of digital media, architecture, textile design and industrial design.
The Funky Forest installation pictured above makes for a nice starting point. But be careful you could lose a whole day to this site.
So, I see from Popurls that Flickr have made a foray into the crowded online video hosting market.
They are now offering their 'Pro' members (US$25 a year) like me the facility to upload 90 second video clips ("long photos") to their Flickr profiles.
Here are some of the videos that have already been uploaded and as you can see from this embedded film it is a nice implementation:
Flickr have been keen to distance themselves from YouTube by emphasising their focus on archiving and sharing within private networks. Direct competitors are therefore the likes of Vimeo and Motionbox who, like Flickr, allow you to restrict who gets to see your videos.
YouTube: "Today [March 26th] we're releasing YouTube
Insight, a free tool that enables anyone with a YouTube account to view
detailed statistics about the videos that they upload to the site. For
example, uploaders can see how often their videos are viewed in
different geographic regions, as well as how popular they are relative
to all videos in that market over a given period of time. You can also
delve deeper into the lifecycle of your videos, like how long it takes
for a video to become popular, and what happens to video views as
popularity peaks."
If only you could do the same (or get limited access) for videos that others upload too.
Gordon Torr: Managing Creative People: Lessons for Leadership in the Ideas Economy I hope Gordon didn't choose that subtitle. It seems below him somehow. Grubby even. His book is, he insists, the first attempt to fully explore how to get the best out of creative people. I'm currently half way through and loving every bit of it. More soon. (****)
Randall Rothenberg: Where the Suckers Moon: The Life and Death of an Advertising Campaign Rothenberg is a long time NYT journalist who went on to be editor of Ad Age and is now president and CEO of the Interactive Advertising Bureau. Where the Suckers Moon is an implausibly detailed account of the pitch and subsequent development of an ad campaign for Subaru USA. The book ends with Wieden's Subaru ads being voted dead last by consumers on Superbowl Sunday in 1993. It's quite a ride. (*****)
Joshua Ferris: Then We Came to the End The rythyms of life in a Chicago ad agency during a recession. The writing is a bit too staccato for my liking and the characters are all long gone before you can get to know them. Nonetheless, it is about as close to home as you can get. (***)
Robert Johansen: Get There Early The Institute for the Future's president Bob Johansen gives us the benefit of his 30 years as a trends forecaster and futurist. (***)
Jim Taylor & Steve Hatch: Rigorous Magic: Communication Ideas and Their Application A valiant but ultimately flawed attempt to codify and assess the value of different types of communications ideas. The typology they have created is useful but they fall down when it comes to providing workable definitions (e.g. between an 'emotional platform' and a 'brand idea'). Furthermore, being media men they are predictably in thrall of those kinds of ideas that media agencies can control ('activation' and 'symbiotic' ideas), less enthusiastic about 'brand' ideas and brazenly critical of the value of 'advertising' ideas. (**)
Stuart Maconie: Pies and Prejudice: In Search of the North Imagine if Pevsner was written by Nick Hornby. Maconie fights his demons about living in the South of England by going back home to the North. Supposendly a travel book, this is Maconie's humorous and informative take on the North-South divide. (***)
Andrew Marr: My Trade: A Short History of British Journalism Andrew Marr writes his autobiography under the guise of authoring an insider perspective on the world of news journalism. Fascinating and written with a light touch. Not as ambitious as it might have been but riveting nonetheless. (****)
David Freud: Freud in the City David Freud (great grandson of Sigmund) tells of his exploits in the City of London as British investment banking changed irrevocably after the 'Big Bang' of 1987. An erstwhile journalist, Freud tells a good yarn and provides an interesting and jargon-free look inside the workings of the City of London. (***)