Events, Exhibitions & Happenings

Interactive Architecture - some experiential inspiration

Funky_forests

Stuck for experiential brand activation ideas? You could do worse than browse Interactive Architecture for stimulation.

This fantastic site is run by Ruairi Glynn of UCL's Bartlett School of Architecture and Central Saint Martins and it does a great job of bridging the specialisms of digital media, architecture, textile design and industrial design.

The Funky Forest installation pictured above makes for a nice starting point. But be careful you could lose a whole day to this site.

Heathrow T5 -- sweating those details

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Three quick comments on my experience of Heathrow's new Terminal 5 (unrelated to the issues they have had with luggage).

LACK OF ROAD SIGNS: There is little or no signage around the airport for cars arriving at Terminal 5 off the M4. It was blink and you'll miss it stuff. This wouldn't be such a big deal if it weren't for the fact that the entrance to T5 is actually nowhere near the other terminals. Yes, you guessed it, I got lost despite the fact that I had already been there during the build.

OVER-ENGINEERED AND DYSFUNCTIONAL SECURITY SYSTEMS: This is a beauty. Somewhat bizarrely BAA have decided to automate the movement of hand luggage through security in an attempt, presumably, to speed up the process. As you can see from the body language of the member of staff on the left of the image above this hasn't been entirely successful. The trays advance and stop on their own and any interruption by humans causes them to stop. It's clever but grossly over-engineered and most importantly, it actually takes longer than the old system. It will have to go.

PRIORITY GIVEN TO SHOPPING: You emerge from security adjacent to the frequent flyer lounges and yet BAA force the majority* of BA's most valuable customers to walk nearly a mile to get to the lounge through a shopping mall. I can only think that this is a cynical decision on the part of the retail half of the business to get business passengers to engage with the retail offer. However, they know that this is not what business passengers want from the airport.

Gripes aside, it's a vast improvement but you can't help but think that it is a bit of a missed opportunity.

As Faris points out, this lovely mashup ofthe recent Fallon / Cadbury's 'Trucks' ad with some pertinent BBC footage explains what went wrong on the first day of operation.

* those allowed access to the elite 'Concord' lounge can access the lounge without going through the mall but all other 'tiers' of BA's frequent flyer programme have to do the walk of shame.

MRS Conference = Groundhog Day?

A colleague protested to me that he was rather disappointed to hear the same old same old at the Market Research Society conference again this year:

"It was a bit like Groundhog Day. It always seems to be themed around self-flagellation over research agencies not getting close enough to client business problems, not getting an airing in the boardroom, not being an attractive option to grads, not having kept up with pace of change in other Marketing disciplines. Wish they'd stop talking about it and just do something about it!"

There were some good speakers lined up but I couldn't bring myself to attend this year largely because of the aforementioned lack of innovation in the programme. Nonetheless I was keen to read this excellent blow by blow account of the conference to see if I had missed anything interesting.

And sure enough it looks as though the conference did have its moments:

1) Andy Dexter tackled the main reason I left the research agency world in his paper where he made the point that "people businesses don’t sit well with volume based business models". The low margin, high volume business model of most major quantitative research agencies is unworkable because it offers researchers no time to think and add value to the data they collect.  The notion of an "insight factory" is clearly an oxymoron in the same way that an "idea factory" is. Andy argued that research agencies and their clients need to "admit that data is a commodity but thinking is not". Not an easy task.

2) Rupert Howell, founder of HHCL and now at ITV, told the tale of the research ITV conducted prior to running 'The Palace'. The research said it would be a hit. It flopped spectacularly.  Rupert suggested that "rather than run away, the research company should work with ITV to find out what happened and how it can be resolved in future". I wonder who he was aiming that barbed comment at?

3) Malcolm White, chairman of the APG and founder of krow, made the astute observation that "planning is currently obsessed with planners and not planning". Such introspection is clearly unhelpful but I remain unconvinced that blogging is to blame as you might expect.

4) Andrew Sharp, once of Initiative and now at PwC, quoted an analysis that claims to have demonstrated that 49% of brands that were created after 1991 were no longer in existence by 2006. The average life-span of a brand created during this period was only 4.1 years and only 11% of brands remained in existence throughout the 15 year period of the analysis.

5) And finally, my comrades at the RLF did their bit on the fringe again this year and even achieved some coverage from the official conference scribes at WARC.

More stuff about advertising on BBC Four

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There will be yet more telly about the ad business on BBC Four tonight at 10.30pm.

In The Hard Sell Phill Jupitus narrates a series looking at 50 years of British TV advertising. Tonight's edition examines how sex has been used to sell, sell, sell to the public, with contributions from Tim Bell and John Hegarty among others.

The series in full:

26/02/08 - Sex
04/03/08 - Cigarettes & Alcohol
11/03/08 - Food & Drink
18/03/08 - Toys
25/03/08 - House & Home
01/04/08 - Technology

BBC Four goes ad mad in March

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Woop. Mad Men finally makes it to the UK on Sunday March 2nd.

But that's not all. BBC4 are going ad mad with a series of three documentaries about advertising:

1) In Timeshift – The Rise And Fall Of The Ad Man, Peter York takes an insightful and witty look at the changing fortunes of British advertising with the story of the personalities who led it through its highs and lows       

2) Selling The Sixties is a mesmerising blend of archive and contemporary footage exploring the post-War American golden age, when it seemed as if happiness could be bought and sold.       

3) David Ogilvy – The First Mad Man is the story of advertising through a British-born genius, David Ogilvy, whose extremes and eccentricities are revealed by interviews with those who knew him and worked with him on his most famous campaigns.

And there's more:

The IPA is offering a rare and exclusive opportunity to hear from broadcaster and author Peter York;  Lord Bell, Chime Communications; Sir Frank Lowe, The Red Brick Road; and Sir Martin Sorrell, WPP as they share their memories of the past on Monday 3rd March at the IPA.

Alongside this extraordinary panel session will be a preview of excerpts from the new BBC 4 documentary Time Shift. This documentary sees Peter York taking a characteristically insightful and witty look at the changing fortunes of British advertising, through the story of the personalities who led it through its highs and lows.

This one-off event is taking place at 6pm for a 6.45pm start on Monday 3rd March, 2008 at the IPA, 44 Belgrave Square, London, SW1X 8QS For tickets at £20 + VAT per person (members) and £40 + VAT per person (non IPA members, payable in advance).

Everything is Interesting

E_is_i Everything is Interesting was an exhibition of work by Canadian artist Kelly Mark at the Ikon Gallery in Birmingham in 2003.

It consisted of several events, interventions and performances through the city which Mark responded to with the proposition that ‘everything is Interesting’.

This badge, measuring 38mm in diameter, has been reprinted due to popular demand.

Get yours here for 50p. I'm off to Birmingham to get mine tomorrow.

One day I will see the Northern Lights in person, until then this will have to do ...


Video: lapland aurora 3 More here. Via Miss Cellania @ Neatorama

600 pairs of hotel slippers please

Famed for his mass nude photography, Spencer Tunick has been at it yet again, this time for Greenpeace. This time he managed to persuade only a measly 600 people to take their clothes off. It just might have had something to do with the requirement to lie down naked on a glacier wearing only a pair of disposable hotel slippers. Surely he must be getting bored of this now? We are.

Best in show: New Fiat 500

Fiat easily bags the award for best stand at the Frankfurt Auto show with this peerless display of confidence:

Stand

From the New York Times: "Flush with success — and more spending cash — Fiat has set up an elaborate arcade-style ride in Frankfurt. An enormous model of a 500 towers over Fiat’s show-stand. Half a dozen Fiat 500s run on rails, with a “driver” and passenger hopping into each car while the model’s rear wheel slides away. Each Fiat 500 then slips into the interior of the model. Inside, there is a short video of customized 500s, followed by a faux wash of the windshield, a pose for a silly picture and one last Fiat 500 commercial before ending up back at the beginning of the ride."

MIT > Digitally-controlled Walls Made of Water

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Our digital and physical works blur further as MIT News reports that MIT architects and engineers have created a building that is literally made of water that features liquid curtains for walls - curtains that not only can be programmed to display images or messages but can also sense an approaching object and automatically part to let it through.

The "digital water pavilion" - an interactive structure made of digitally controlled water curtains - will be located at the entrance to Expo Zaragoza 2008, in front of a new bridge designed by Zaha Hadid. The structure will contain an exhibition area, a cafe and various public spaces."

"To understand the concept of digital water, imagine something like an inkjet printer on a large scale, which controls droplets of falling water," explains Carlo Ratti, head of MIT's SENSEable City Laboratory.

Rati added: "In the Nineties, digital technology led us to fantasize about distant virtual worlds. Today we have moved on: the future of architecture might deal with digitally augmented environments, where bits and atoms seamlessly merge."

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