The Trap - Whatever Happened To Our Dream of Freedom
I just finished watching the final part of Adam Curtis' latest documentary for BBC2, The Trap - What Happened To Our Dream Of Freedom?
Using only a voiceover, huge amounts of archive b-roll and the occasional interview, Curtis argues that the hegemony of the concept of freedom has underpinned all of the major ideological shifts in post cold war global politics.
Spiked provides a great synopsis:
The thesis of the series is quite straightforward. It is in fact stated clearly and often, and it is patently not a conspiracy theory. It is that we live today within a conception of freedom and of ourselves that is narrow and limiting. It is an ideology which views human beings as selfish, mistrustful, isolated individuals who are seen, and have come to see themselves, as simplistic beings who can be understood and directed through the application of scientific techniques. This diminished view of the self might have been of use in countering communist tyranny but it was a ‘trap’ and it has left us with ‘no positive vision in the face of all the reactionary forces’ that it has in fact helped to awaken around the world, says Curtis.
From a review by Charlie Brooker in The Guardian:
Curtis has an uncanny knack for hovering coolly above recent world history and spotting huge, sweeping, disturbing trends, then recounting them in a way that feels subversive and playful, thoughtful and entertaining, all at once. He has an incredible eye for archive footage, assembling one haunting montage after another, apparently from thin air. His programmes unfold like a series of revelations; watching one is like having all your slumbering suspicions about the world - suspicions so dormant you didn’t even realise they were suspicions - confirmed and explained for the very first time.
As with all of Curtis' recent work for BBC2 (Power of Nightmares, The Century of the Self) The Trap makes for very seductive and stimulating television but somehow as I find myself getting drawn into his arguments I can't shake off the suspicion that I am being hoodwinked by a master storyteller. All the same this is must-watch television.
If you want to find out more about the themes featured in The Trap then the fabulous Intute: Social Sciences database can help:
The first programme looked at how mathematical models of human behaviour influenced security decisions in the Cold War and later the field of Economics as Game Theory sought to explain the economic choices made by people. It also looked at the ideas of R.D. Laing and his controversial work that challenged the role of psychiatry in the diagnosis in mental health disorders. Curtis brings these ideas together to explain the rejection of the idea that politicians and bureaucrats act in the public interest.
The second programme looked at the role of genes in determining behaviour and cited the Ax Fight anthropological study of the Yanomamo people, as well as, the work of Richard Dawkins. These ideas were brought together with the economic theories of Friedrich Von Hayek to produce governments obsessed with targets and measurable outcomes. Curtis argues that this obsession produced distorted outcomes, reduced social mobility and reinforced existing elites, causing economists to look again at the game theory / free market model and reassess the concept of behavioural economics.
The final programme saw how Isaiah Berlin’s work on liberty had shaped political theory and had been used to justify extreme economic deregulation in Russia, which produced a crisis in Russia’s economic transition. It concluded by looking at how neoconservative ideas about using military force to bring freedom to Nicaragua and Iraq had interacted with modern terrorism to end up restricting freedom in Western countries.
Sadly, if you want to get hold of a DVD of any of Curtis' work then you are out of luck. In response to the demand for DVD copies of The Power of Nightmares, Curtis has been quoted as saying:
The problem is that the films are full of archive film and music from a multitude of sources. The reason my series are normally not released on DVD is that it is prohibitively costly and a nightmare - no pun intended - to clear the rights.
Nonetheless his works are very easy to find on Google Video or YouTube and the BitTorrents are everywhere.
Earlier: The Power of Nightmares






